![]() I power these with my LPE-6 batteries (The 5D MKIII batteries) and the unit can start and stop recording automatically when you hit record on your 5D. This unit takes a clean signal from the 5D MKIII for example and DOESN’T compress it – instead it goes straight to ProRes 422 or AVID DNxHD. That video is hard to process due to the compression when you use most video editing software. Why? Basically all DSLRs heavily compress your video. Two SSD slots are available.Ĭomments: This is a SECRET weapon. In cases of storing to an SSD, the Ki Pro Quad can record in 4K, 2K and HD ProRes formats, which are friendly to Final Cut, Premiere and Avid. Color depth supported is 10-bit 4:4:4 and 10-bit 4:2:2. Captured RAW, it can be transferred RAW to a RAID or computer. Footage can be captured RAW and in 4K, Quad HD, 2K, and HD resolutions. Its small form factor allows it to be mounted on a tripod or camera with industry-standard adapters, while its powerful support of both SD and HD recording–via both SDI and HDMI–makes it an invaluable tool for on-set digital capture.Ĭomments: Same as a above and a leading 4K solution – Notably w/ the C500.ĭescription: The AJA Ki Pro Quad 4K Solid State Recorder ingests raw footage from a camera, and performs up to all three of the following functions simultaneously: stores the footage to an SSD, transfers the footage to a RAID or Thunderbolt-enabled computer, and outputs the footage to up to two displays for monitoring. ![]() Bringing a file-based workflow to any production to be edited on Final Cut Pro, this miniature field recorder not only records edit-ready Apple ProRes footage from any SDI or HDMI video camera, it does so on easily available Compact Flash cards. Comments: This is one of the best solution right now for converting your footage on the fly into ProRes in a small package that you can mount on any camera rig.ĭescription: The Aja Ki Pro Mini Compact Field Recorder adds extreme portability to the Ki Pro family.
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